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Create INSANE Seamless TRANSITIONS with a FISH TANK

123.3K views· 7,042 likes· 11:44· Sep 28, 2023

🛍️ Products Mentioned (10)

CHECK OUT STORYBLOCKS: http://storyblocks.com/danielschiffer This video was color graded with my Vintage Look 2 LUT Pack: https://danielschiffer.sellfy.store/ GEAR I USE FOR VIDEOS: Sony A7C body only (Talking-head camera) on Amazon: https://geni.us/9cdDlHW Sony A7Siii body only on Amazon: https://geni.us/B102 Sennheiser MKH416 shotgun microphone on Amazon: https://geni.us/Jbp5n PolarPro Recon Matte box on Amazon: https://geni.us/9cLM Zeiss Batis 25mm Lens on Amazon: https://geni.us/eyTtpy Zeiss Batis 40mm Lens on Amazon: https://geni.us/WxvYp Aputure 300D ii on Amazon: https://geni.us/UlLbD Aputure Light Dome ii on Amazon: https://geni.us/f2LUR ________________________ Some of the links above are affiliate links, where I earn a small commission if you click on the link and purchase an item. You are not obligated to do so, but it does help fund these videos in hopes of bringing value to you! For sponsorship, product reviews, and collaboration, you can email me here: daniel.i.schiffer@gmail.com ig: @daniel.schiffer ________________________ ________________________

About This Video

Welcome to the return of the fish tank. In this video I show you how I create a looping, seamless “boomerang” transition where a product drops, bounces, and morphs into the next color—using nothing more than a fish tank, a camera/phone that shoots slow motion, and editing software. The big capture tip: don’t use tap water. Tap water gets cloudy from minerals, so I use distilled water for that super clean, crispy look, then I squeegee and clean the glass to kill bubbles and smudges before rolling. Once I’ve got clean drops (I shot four bottles and strategically flipped every other one upside down), I stack clips in a tall custom timeline, rotate/position them to line up, and use a quick shape mask + feather to blend between colors. Then I color grade (I’m crushing shadows to hide the tank, popping highlights/saturation, and nudging hues so green doesn’t go yellow and red doesn’t go orange), compound it, and bring it into a vertical project for mobile. From there it’s all about timing: I speed ramp the whole thing, slowing down at the top/bottom for impact, then track the bottle to keep it centered. To spice it up, I add motion blur on the fast parts, plus subtle overlays like film glitch, film burn (to hide loop stutters), and film grain for extra punch.

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