One of the coolest things about shooting on a 360 camera like the GoPro Max 2 is hyperlapses, because I’m capturing everything around me. That means when I get back into the edit, I’m not locked into one angle—I can pull multiple different hyperlapse “moves” out of a single take. In this video I’m out walking a palm-tree street in California, and I show exactly how I film it: I extend the pole as high as it goes, keep the camera directly above me, and try to maintain that height for the entire walk to get a clean, dynamic motion-lapse look. Then I break down my full post workflow. I use a workaround that’s worked great for me: I open the Max 2 footage in GoPro Player/Labs first, export it as a high-quality 8K file (max bitrate, with a bit of denoise if I’m in shadows), and then I do the creative reframing inside Insta360 Studio because it’s more advanced and straightforward for desktop hyperlapses. I show you how I use keyframes, TimeShift (the thunderbolt icon), and why I usually push speed to 32x or 64x for long walks. I also cover Motion ND for natural motion blur, plus a few hyperlapse styles like straight walkthroughs, side “dog-like” 90° views, sky-to-ground moves, and a reverse hyperlapse you can drop right into Premiere Pro.