In this video, I’m finally releasing my DJI Osmo Pocket 3 LUT pack that I’ve been working on for the past couple of months. It’s built specifically for Pocket 3 D-Log M footage, and the whole goal is simple: help you transform that flat D-Log look into something cinematic fast, without overcomplicating your workflow. I designed these LUTs around the real lighting conditions I actually shoot in—morning, evening, blue hour, and nighttime—so you’re not stuck trying to force one look onto every scene. I walk through what’s included (12 custom .cube LUTs), show before-and-after examples, and explain why I made different looks for different situations. I also highlight a few of my favorites: Blue Hour Breeze (nostalgic, punchy blues and yellows for right after sunset), Clean Slate (a natural Rec.709-style starting point with great skin tones), Blade (a foggy, Blade Runner-inspired vibe), and Deep Sea (for darker, overcast mornings with punchy contrast). To wrap it up, I show exactly how I apply them in Premiere Pro using Lumetri Color, and how you can tweak intensity, exposure, highlights, and shadows to match your specific shot.