In this video I’m shooting and reviewing the Lomo’Instant Wide Glass—an instant film camera from Lomography that takes Fujifilm Instax Wide and, most importantly, has a genuinely sharp glass lens. I’ve had mine for about two months, shot four packs through it, and at this point I honestly think it’s the best Instax Wide camera on the market. When you nail focus, the results are top tier, and the metering system is good enough that I feel like I’m “guaranteed” a usable exposure way more often than I am with most instant cameras. That said, it’s not perfect, and I spend a good chunk of the review talking about the camera’s Achilles heel: the viewfinder and framing. The removable viewfinder has multiple frame lines meant to help with parallax at different focus distances, but I don’t find them clear or accurate, so I still second-guess my composition. I also break down how the scale focusing works across the four focus modes (0.3m, 0.6m, 1–2m, and infinity), why close focus is the trickiest, and what the 90mm f/8 lens means in “35mm equivalent” terms for field of view and depth of field. I wrap it up by going through the feature set—flash on/off, multiple exposure, exposure comp, auto mode, bulb (up to 30 seconds), f/22 mode, and the 1/30 mode that effectively locks settings. And yes, the PC sync port is a huge draw for me—I’m excited to get it on a shoot with strobes.