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The Friedman Jake E Lee Comparison!

1.1K views· 53 likes· 13:19· Jan 14, 2026

🛍️ Products Mentioned (9)

0:00 - About the amps and the setup 2:57 - Each amp without volume compensation or leveling 4:13 - Channel 1 Crunch 5:42- Bright Cap Position 1 6:22 - Channel 2 boost off 7:11 - Channel 2 Boost engaged 8:24 - 20w Amp Saturation engaged 10:43 - Thoughts and conclusion ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Much appreciation to Zzounds for lending me this gear to show you guys! If you like my content, feel free to use the links below to purchase gear and help support my channel! 🤘 Jake E Lee 20W https://www.zzounds.com/a--3989488/item--FRDJEL20H?siid=339047 And the 50w version https://www.zzounds.com/a--3989488/item--FRDJEL50WH?siid=361613 Schecter C1 EA Classic https://www.zzounds.com/a--3989488/item--SCEC1EACL?siid=319497 Splawn Amps https://barrztrading.company.site/Splawn-Amps-and-Cabinets-c41630011 Scumback Speakers https://www.scumbackspeakers.com/h_series.html Camera Setup Lighting Equipment https://amzn.to/3CXBcp3 Camera Gear https://amzn.to/41f9s7i Rode Lav System https://www.zzounds.com/a--3989488/item--RODWIPRO Rode Lavalier II Pro https://www.zzounds.com/a--3989488/item--RODLAVALIERII

About This Video

Welcome back and welcome to 2026—what better way to kick it off than with a pair of Friedmans. In this video I do a quick, “get the info and move on with your day” comparison between the Friedman Jake E Lee 20-watt head and the 50-watt big brother. I’m running a Schecter into a blonde cab with a Vintage 30, mic’d with an SM57, and I’m switching between the two amps with my Morningstar MC3 and an amp switcher so you can hear the differences back-to-back. The big takeaway: the voicing is identical. The 20W is basically the quieter version of the 50W, but “quieter” is relative—there’s about a 5 dB difference and that’s huge, so after letting you hear them un-leveled, I match volumes as best as I can. I walk through Channel 1 crunch with the bright cap positions, then Channel 2 with boost off and on, and finally the 20W saturation switch (which, if I’m being honest, feels more like a bright-cap-style shift). My conclusion is simple: both are loud, both sound killer, both can work on stage—pick the one whose feature set fits your real-world gigging needs, especially if you want the 20W’s cab sim/XLR convenience versus the 50W’s extra headroom and grunt.

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