Behringer and Midas console audio routing is confusing, so in this training I slow it way down and clear up the biggest point that trips people up: internal outputs vs external outputs on the X32/M32. I start in Routing > Out 1-16, because that page is all about internal routing—your 16 internal output “slots” where you choose what mixes are available to send out of the console. I walk through what you can assign there (Main L/R, mix buses, matrices, direct outs, FX, monitor/talkback), and I show a typical church setup where I put mix buses on Out 1-6 and Main L/R on Out 7-8. Then I take that internal routing and actually get it out of the mixer by assigning those internal outs to external hardware connectors—your local XLR outs, aux 1/4” outs, and AES50 stage box outputs. I also show the common mistakes I see in Zoom trainings: people accidentally assign “Local In 1-8” or “AES50A 1-8” directly to XLR outputs, which turns your console into a pass-through—what you get in is what you get out, with no mix, no fader control, no EQ. Finally, I touch on signal tap points (I usually keep them post-fader by default) and where you can set them, because tap points can make or break your stream, monitors, or broadcast feeds.