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I Tried Making a $500 Feature Film at 21… Here’s What Happened

2.1K views· 112 likes· 17:40· Dec 4, 2025

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Thanks to Vilhjálmur for shooting and providing all the BTS footage: https://www.instagram.com/vilhjalmur.rey/ Watch my films! Good Boy (US): https://amzn.to/3XfopVc Above the Knee (US): https://amzn.to/43hksTw Equipment I use: Panasonic Lumix S5: https://amzn.to/4k36P0v Panasonic Lumix S1: https://amzn.to/4pxv4Ha TTartisan 40mm F2: https://ttartisan.store/products/af-40mm-f2-l?ref=zycdftjr Blazar Remus 35mm T1.6 1.5x: https://adorama.rfvk.net/Dy1xMG 7Artisan Spectrum 35mm T2.0: http://bit.ly/3KlPYJG Panasonic XLR Microphone Adapter LUMIX DMW-XLR: https://amzn.to/45swcnV Sennheiser MKE 600: https://amzn.to/4moNdW2 Benro Aero 2 PRO Tripod: https://amzn.to/3JhayKA Business inquiries: boeviljar@gmail.com 0:00 Introduction 0:24 Deciding to Make a Feature Film 2:42 Film Synopsis 3:07 Writing the Script 5:21 Production 9:10 Post-Production 10:24 The First Screening (Painful Moment) 12:11 Festivals & Recognition 17:09 Did it Really Cost $500? 17:31 Outro

About This Video

When I was 21, I directed my first feature film, To Freddy, as a film student—and I tried to do it on a $500 budget. In this video I break down the whole process: why I decided to go feature-length in the first place (I wasn’t satisfied with shorts), how I wrote the script during summer break, and how I kept it realistic by casting my fellow film students before writing. I also talk about writing to our limitations—like changing the main location from a cabin to a tent in the woods—because it was simply what we could access. I go through production from August to October 2019 with a tiny crew (sometimes literally just me on camera and one person on sound), and how that forced choices like limited coverage and occasional one-take scenes. We shot on a Sony F7 in HD, not log, because I didn’t really know what I was doing yet and I wanted the look baked into the image. I also share what worked (natural light in the forest, grounded performances) and what didn’t (weather delays, too many shooting days). Then I cover post-production with a hard deadline, the painful first screening where half the room left, and the festival journey: lots of rejections until we pivoted to genre festivals, got into Nightmares, and suddenly found an audience that was open to low-budget thrillers. The biggest regret: we didn’t understand sales agents or distribution, so the film basically ended up shelved.

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