For the last couple of years I’ve been working on feature films with minimal gear and limited resources, and I recently wrote and directed a feature film called Above the Knee with a crew of only three people. In this video I break down the exact gear and techniques I use to get cinematic images on a budget—what camera to buy, what lens to start with, and how to squeeze the most “production value” out of a location even when you don’t have lights or a big crew. My first tip is simple: get a cheap full-frame camera with IBIS. I’m shooting on the Lumix S5, and used for under $1,000 it punches way above its price range. Full frame makes shallow depth of field easy (and yes, I think it’s a great way to hide your budget), and the H.264 10-bit files are small enough that you can shoot a lot without drowning in storage costs. Then I recommend getting one cheap prime lens—ideally around 35–50mm, with a wide aperture and a bit of character—because it forces you to move the camera and shoot more dynamically. Finally, I talk about using available light (windows, lamps, overcast exteriors), shooting shadow side, creating depth by getting away from walls, and getting close to your subject for a more intimate, cinematic feel. And honestly: once you’ve got the basics, go experiment and find your style.