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When did Warhammer Painters get SO GOOD?! | Golden Demon Then vs. Now

286.3K views· 11,357 likes· 22:25· Jan 10, 2025

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I'm a HUGE Fan of miniature painting, Warhammer and Golden Demon but in the last couple of years i've noticed something change... It seems like the standard of miniatures being entered has recently SKYROCKETED and nowadays the entries are almost beyond belief, but how did it come to this? And more importantly when did Warhammer painters get so good?? Well what better way to track the history, trends and progress of miniature painting than to look back in time at the competition which started it all, Golden Demon!! __________ CHAPTERS: 00:00 - Intro! 01:50 - What Is Golden Demon 04:53 - The FIRST Golden Demon 08:01 - The Rest of the 80s 10:24 - Golden Demon in the 90s 12:59 - Golden Demon in the 00s 15:43 - Golden Demon in the 10s 18:39 - Modern Golden Demons! 20:57 - First and Last Winner's Minis! _______ For business enquiries please contact me at roguehobbies1@gmail.com Patreon - https://www.patreon.com/roguehobbies Merch and miniatures! - https://roguehobbies.com/ YouTube - https://www.youtube.com/@roguehobbies

About This Video

I’m a G that loves having a gander at beautifully painted Warhammer minis, so obviously I love Golden Demon. I attend it, I occasionally enter it, and I’ve even managed to scrape together a handful of finalist pins… which I then painted… and then entered Golden Demon with. But lately, like everyone else with functioning eyeballs, I’ve noticed the standard has absolutely skyrocketed—every year the entries feel beyond belief. So I wanted to answer the real question: when did Warhammer painters get so good? In this video I use the Golden Demon Compendium (an absolute treasure trove of hobby nerd history) to time-travel through Golden Demon from 1987 to now. We start with the ‘80s: loads of whimsy, wild conversions, sculpting, and what I’d call the first “meta”—freehand and banners. Then the ‘90s click into that iconic bold, saturated ‘Eavy Metal vibe: crisp, clean Marines and sharp highlights. In the 2000s it flips hard into grimdark realism—muted colours, weathering, and grit—and by the 2010s we get the rise of non-metallic metal and “paint everything to the 11th degree.” Finally, the modern era goes beyond just the mini: resin pours, mirror tricks, insane basing and full-scene creativity. The big takeaway is simple: nobody gets good overnight—perfection can take decades, and that’s kind of the point.

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