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From Beginner to Pro Filmmaker

6.1K views· 320 likes· 5:06· Jan 22, 2024

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In this video, I’ll be sharing with you how to strategically find work as a filmmaker and attract big brands. This guide is based on the single most asked question I receive and it covers topics like connecting with brand representatives, building relationships and the importance of passion projects. ➥Best MUSIC at Artlist - 2 Months Free: http://tinyurl.com/artlist-aya ➥Shop Filmmaking Assets: https://www.lostinayaland.com/shop ➥Join my Online Academy - Her Film School: https://herfilmschool.com/ Chapters: 00:00 Intro 00:19 Before you start Pitching 00:56 Tip 1 02:09 Tip 2 02:56 Tip 3 03:29 Tip 4 04:13 Tip 5 04:36 Outro 🎥THE GEAR I USE: CINEMA CAMERA:https://www.red.com/komodo-brain-parent FAV CINEMA LENS: https://amzn.to/3vluPYl MICROPHONE: https://amzn.to/47qDMNs SHOTGUN MIC: https://amzn.to/48LO6kh YOUTUBE LIGHT: https://amzn.to/3NUe5xL LIGHT STAND: https://amzn.to/48LOm2J MONITOR: https://amzn.to/48GadIO HEAVY DUTY TRIPOD: https://amzn.to/41Oc38b 📱LET'S CONNECT! Website: https://lostinayaland.com/ Instagram: https://www.instagram.com/lostinayaland/ LinkedIn: https://www.linkedin.com/in/alexandra-karadzhova/ 📬EMAIL lostinayaland@gmail.com for PARTNERSHIP REQUESTS FRIENDLY HEADS-UP: The above links are affiliate links. If you decide to make a purchase through these links, I will earn a small commission. This support goes a long way in keeping my channel running and allows me to keep creating content for all of you! Thanks :)

About This Video

Hey fam — in this video I’m breaking down how to find paid work as a filmmaker and attract big brands even when your following isn’t “huge.” This is the single most asked question I get, and everything I’m sharing comes from my real path: three years freelancing, then running my film production company for the last two years, and working on significant productions with brands like DJI and Corona. The big shift is understanding that pitching isn’t the first step — research is. Before you reach out, you need to know what decision makers are actually looking for. I use LinkedIn to find marketing reps, follow what they engage with, and then tailor my portfolio so it resonates with them. Brands hire you for two things: reliability and reputation. That’s why I tell you to leverage your connections (even assisting on someone else’s set counts), name the collaborators who add credibility, and build trust fast. I also share why meeting creatives in person (conferences, workshops, meetups) was a game-changer for me. And if you’re in a slow season, don’t waste it. Create spec work or passion projects—but be strategic. Instead of random videos, make two portfolio pieces designed to speak directly to the brands you want, then consistently showcase that work online. Do the work first, build the reputation second.

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