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MY CLIENT EDITING WORKFLOW PROCESS (and how you can copy it)

138 views· 11 likes· 50:15· Jan 24, 2024

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Get 10% off from Dehancer by using my promo code "REYES10" https://www.dehancer.com/ Colorcorrect HDR PQ footage in Davinci: https://youtu.be/9usizbj27XY Colorcorrect HDR PQ footage in PremierePro: https://youtu.be/WMBQSSkkjtI In this video, we'll go over some essential editing tips and tricks for beginners. Learn about editing workflow, shortcuts, and techniques that will improve the quality of your videos and save you time! Whether you're just starting out in video editing or looking to improve your skills, these tips and tricks will help you create professional-looking videos in no time. From basic tools to advanced features, we've got you covered. Don't miss out on these essential tips for beginner editors! 0:00-24:00 Rough Cut 24:00-37:00 Audio adjustments 37:00-44:00 Colorgrade 44:00-50:15 Final adjustments

About This Video

In this video I walk you through my actual client editing workflow from start to finish using DaVinci Resolve. It was my first interview setup (super simple—tripod, frame it, hit record), and I’m not pretending I’m some “editing ninja.” I’m still a beginner, so you’ll see a few flaws and little mistakes, but the whole point is showing the real process I use when I’m trying to finish a client project fast and clean. I start with the rough cut first—always. I keep the whole clip on the timeline and I rely on shortcuts like W (delete everything behind the playhead) and S (cut) instead of messing around with the blade tool and dragging clips all day. I also generate subtitles from audio (Studio version) so I can see what’s being said and cut faster, and I use the waveform as a guide to find dead space, laughs, or louder moments. After the rough cut, I add the “fun stuff” like on-screen questions, text, blur (yes, I like blur), and quick punch-ins for motion. Then I move into audio: unlink, compound clip, set levels around -12 dB, and do noise reduction + voice isolation (but not too much, because robotic audio is gross). Last is color—usually on an adjustment layer so my footage stays untouched—plus final checks like making sure the adjustment layer actually starts at frame one.

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