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Learn to Draw - Part 1 | Intro & Observation | Gesture, Contour, Still Life

418 views· 26 likes· 30:31· Jul 19, 2024

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I am sharing the practice exercises on how I empower students to learn how to draw. In this part 1 video, I discuss observational drawing practices including gesture, contour, blind continuous line contour, and simple still-life drawing. I like to give people the tools and information to practice independently, with their own ideas, rather than completely copy what I draw. I've had 7-year-olds up to adults complete these lessons. Part 1 - Observation Part 2 - Reference Part 3 - Tutorials/Step-by-step CONNECT Website: https://www.alishahagen.com Instagram: https://www.instagram.com/alishahagenart/ Facebook page: https://www.facebook.com/missalishahagen Youtube: https://www.youtube.com/@alishahagenart CONTACT email: alishahagenart@gmail.com PURCHASE Teachers Pay Teachers: https://www.teacherspayteachers.com/store/ms-hagen-art-class Artwork on Etsy: https://www.etsy.com/shop/AlishaHagenArt RESOURCES (one day I'll add some kind of worksheet) If you're new here - welcome! I am an artist and art teacher based in New Mexico. I have a BFA in animation and art education. I taught art in the K-12 setting for eight years. Now I create pottery and art in my cozy backyard studio.

About This Video

In this Part 1 video, I’m sharing the exact observational drawing exercises I used for years as a K–12 art teacher to help people learn how to draw without feeling like they have to “copy” me. My goal is to give you tools you can practice independently, using your own ideas, so you can build real drawing confidence. These lessons work for pretty much everyone—I’ve taught them to 7-year-olds all the way up to adults. We start with observation-based practices like gesture drawing (capturing the movement and big idea fast), contour drawing (slowing down and really seeing edges), and blind continuous line contour (training your eyes to stay on the subject instead of obsessing over the paper). Then I bring it into a simple still life approach so you can practice drawing what’s actually in front of you. This is the foundation for everything else—once you can observe, you can improve—so if you’ve ever said “I can’t draw,” this is where I’d have you begin.

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