You guys would not stop yelling “part two” at me, so I did the only reasonable thing: I kidnapped two people and forced them to draw with me. For this April Fools My Little Pony redesign, we turned the remaining main three—Applejack, Pinkie Pie, and Rainbow Dash—into VERY human villain versions, recorded live while we drew (so yes, the audio is a little scuffed). The whole vibe is: trust the process, even if the anatomy is cursed, because at least it’ll have character. Also, flipping the canvas is important… unless you know it’ll make you hate your drawing. Then you simply don’t. Design-wise, we went hard on storytelling through silhouettes and props: Applejack as an efficient assassin (gun under the head, farm-adjacent “tomato juice,” and a pose that tried its best), Pinkie as a creepy entertainer/clown with missing-child-poster energy, and Rainbow as a military/bounty-hunter runner with gear, explosions, and “definitely-for-kids” plastic bullets (YouTube, please). The real takeaway is watching how we improvise under time pressure—rendering to save a weak sketch, choosing strong shapes over perfect anatomy, and committing to a theme even when it’s wildly ambitious. Please do not ask me for part three. I am begging.