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VERY Human MLP Villain Redesign Video【April Fools My Little Pony Redesign】

23.6K views· 2,665 likes· 22:53· Apr 1, 2025

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We redesigned MLP characters as VILLAINS! This time we drew Applejack, Pinkie Pie and Rainbow dash. ✨Share your OCs and connect with creatives on UnVale!✨ https://unvale.io/?utm_source=youtube&utm_medium=partnerships&utm_campaign=vildrart It's the Unvale ANNIVERSARY this month so share some extra love! ✨Support me/Social Media✨ https://www.patreon.com/vildrart https://linktr.ee/vildrart ✨My Friend's Socials✨ René: @Lysall_art René's Commissions: https://vgen.co/lysall_art Leo: @SnowBellYT https://www.twitch.tv/snowbellofficial ♢【 Commission Info and Notifications 】♢ https://discord.gg/bkJkn29K55 https://vgen.co/VildrArt You can use the Discord as a community to talk about and share art or just to get notified when I open commissions! ♢ Credits ♢ Drawing Software: Procreate Edited in DaVinci Resolve Studio 19 Live2D Model: Art&Rig by me Sprites: Mostly done by me, Leo helped coloring some of them Subtitles automatically generated by DaVinci Resolve ♢ Music ♢ ✦ Honkai Star Rail OST ✦ YouTube Audio Library Business Inquiries: vildrart@gmail.com #characterdesign #digitalart #redesign #aprilfool

About This Video

You guys would not stop yelling “part two” at me, so I did the only reasonable thing: I kidnapped two people and forced them to draw with me. For this April Fools My Little Pony redesign, we turned the remaining main three—Applejack, Pinkie Pie, and Rainbow Dash—into VERY human villain versions, recorded live while we drew (so yes, the audio is a little scuffed). The whole vibe is: trust the process, even if the anatomy is cursed, because at least it’ll have character. Also, flipping the canvas is important… unless you know it’ll make you hate your drawing. Then you simply don’t. Design-wise, we went hard on storytelling through silhouettes and props: Applejack as an efficient assassin (gun under the head, farm-adjacent “tomato juice,” and a pose that tried its best), Pinkie as a creepy entertainer/clown with missing-child-poster energy, and Rainbow as a military/bounty-hunter runner with gear, explosions, and “definitely-for-kids” plastic bullets (YouTube, please). The real takeaway is watching how we improvise under time pressure—rendering to save a weak sketch, choosing strong shapes over perfect anatomy, and committing to a theme even when it’s wildly ambitious. Please do not ask me for part three. I am begging.

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