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How to mix vocals in FL Studio | Step by Step tutorial

10.9K views· 448 likes· 24:25· Feb 13, 2026

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How to mix Vocals in FL Studio Step by step | Beginner tutorial Preset link; https://sctutorials.com/products/afro-vocal-preset Micxing course; https://sctutorials.com/collections/courses/products/afrobeat-mixing-course-fl-studio Learn how to mix and master vocals in FL Studio for beginners. This tutorial is in-depth and simplified to give beginners the knowledge and confidence to release good quality commercial, streaming-ready songs LEARN FASTER Courses - https://bit.ly/sctutscourses Templates - https://bit.ly/sctutustemplates Project files- https://bit.ly/sctutsprojectfiles Guides - https://bit.ly/sctutsguide Kits - https://bit.ly/sctutskits contact us: Mail - mail.sctuts@gmail.com Instagram - https://www.instagram.com/sc_tuts/ Website - https://sctutorials.com/ how to mix and master vocals,how to mix vocals in fl studio 20,mixing vocals in fl studio,how to mix vocals fl studio,vocal tutorial fl studio,how to mix and master fl studio,how to mix rap vocals,vocal mixing fl studio 20,how to mix in fl studio 20 vocals,how to mix vocals in fl studio 21,mixing vocals in fl studio 20,how to mix vocals in fl studio 20 stock plugins,how to mix vocals in fl studio 20 beginners,how to mix vocals in fl studio 20 like a pro

About This Video

In this video, I show you how to mix vocals in FL Studio step by step, the same way I approach most Afrobeats and modern vocal mixes. I start by detecting the tempo (I just double click the beat, right click, detect tempo—most times 75 to 150 works), then I link my beat and vocals to the mixer properly. After that, I break vocal mixing into three main parts I always teach: the clean up phase, the control phase, and the polishing phase—because all three matter if you want a commercial, streaming-ready sound. For cleanup, I use iZotope RX (Voice De-noise, Breath Control, and De-click) to remove AC noise, breaths, and little movements while keeping it natural. For control, I use stock plugins first: a basic compressor to tame dynamics (I usually start around 4:1–5:1, fast-ish attack, and adjust threshold), then EQ to high-pass the low end (often 80–150 Hz) and sweep out resonances in the mids with small cuts. After that, I tune the vocal with Waves Tune Realtime (key matters—here it’s G# minor) and set the transition/speed based on how much autotune vibe the artist wants. Finally, I polish with serial compression (LA-2A style), a little stereo widening, a smooth top-end trick using Hyper Chorus, and a touch of saturation with my “secret” Magma channel strip. Then I set up reverb and delay as sends (100% wet), EQ the effects so they don’t compete with the lead, and optionally sidechain the delay if it distracts the vocal. By the end, you’ll clearly hear the before/after difference and understand exactly what to tweak for your own songs.

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