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If I Could Only Keep 10 Records...

387 views· 23 likes· 13:06· Dec 17, 2025

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This video wasn’t easy to make. Years of collecting, hunting down great pressings, cleaning, listening, and living with these albums all came down to one simple (and brutal) question: what would I actually keep if everything else had to go? If you’re into vinyl, hi-fi, or just love talking about music that actually matters, this one’s for you. ------------------------------------------------------------------------------ Don't forget to like, share and subscribe to the channel. ✅ Follow: @MitchsVinylCorner 🖼️ Instagram: @dieselsmurf86 Discogs: https://www.discogs.com/user/DieselSmurf ----------------------------------------------------------------------------- #VinylRecords #VinylCommunity #NowSpinning #VinylAddict #RecordCollector #MusicOnVinyl #Audiophile

About This Video

In this video, I tackle a question my beautiful wife threw at me that sounds simple… but it’s brutal: if I could only keep 10 records out of my collection, what would they be? I’ve got around 350 records, and it’s a really curated collection—years of hunting, cleaning, listening, and purging stuff that didn’t earn its spot. The rule here is I’m only picking albums I actually own right now, not “wish list” grails. I walk through each pick and why it makes the cut, and yeah—some of my choices are going to be controversial. I’m keeping my 1973 UK A3B3 Dark Side of the Moon, my 1969 RL Led Zeppelin II, and I’m taking Gaucho over Asia because I genuinely think it’s the better record sonically and musically (and my 1980 RL cut beats the UHQR to my ears—less clinical and less fatiguing). I also get into pressings and why they matter: a Vertigo Black Sabbath debut as the definitive heavy metal birth certificate, a bargain “holy grail” Monarch Stooges debut still in shrink, and a sentimental original 1971 Doors record from my father-in-law. I round it out with my definitive grunge pick (Pearl Jam), plus two jazz essentials—Art Blakey’s Moanin’ in mono and Coltrane’s Blue Train (Tone Poet mono), the album that made me realize jazz isn’t elevator music.

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