What is up YouTube, it’s Hollywood Floss (the worst producer of all time), and in this video I’m testing Prism by Aurally Sound—an audio-to-MIDI tool that’s trying to get in the conversation with stuff like Sample Lab 2 and Note Grabber 2. The whole goal is simple: can it turn audio into clean, accurate MIDI in a real hip-hop workflow? I ran it inside FL Studio, showed you how it looks, where to put it (on your main track), and how to capture audio straight from your DAW. I tested Prism on a few different sources the way I’d actually use it: electric piano loops (reverse engineering chord progressions), strings, bass, and even guitar—which is usually hard because of pedals and effects. Prism gives you different modes (General, Guitar, Acoustic Piano), snap-to-grid control, and sensitivity, and that sensitivity is key. My take? It did pretty solid on electric piano and surprised me on guitar once I dialed it in, but I was disappointed with the strings and bass in my tests. Overall, it’s a slight bit under Sample Lab 2 and Note Grabber for me right now, but I’m not mad at it—especially since there’s a free trial and you can find the right algorithm for your use case.