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Sony 50-150mm F2 Review: Event and Portrait Dream

2.0K views· 40 likes· 13:47· Jul 16, 2025

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Is there such thing as a perfect portrait and event lens? The Sony 50-150mm F2 comes real close... 00:00 Introduction 02:34 Physical and Handling 06:08 Image Quality 06:42 Event Bilibili World 08:26 Portrait Photoshoot 11:41 Final Thoughts -------------------------------------------------------------------------------------------- IEM Measurements: https://zpreviews.com/2024/07/29/measurements/ Contact me for Collab/Reviews: Audio Reviews: https://zpreviews.com Photography Website: https://zpeaktures.squarespace.com/contact Email: zpeaktures@gmail.com Like my content? Support me and my reviews via Kofi! https://ko-fi.com/zpeaktures Instagram: https://www.instagram.com/zpeaktures/ Audio Instagram: https://www.instagram.com/zp_reviews Facebook: https://www.facebook.com/Zpeaktures Headfi: https://www.head-fi.org/members/tassardar.154433/#showcase-reviews Video Shot with Canon C200 Canon CN-E 18-80mm Sennheiser MKH 8060

About This Video

In this video I’m talking about what I honestly think is one of those “magical” lenses: the Sony 50-150mm F2 GM. I bought it about a week and a half ago (yes, it’s very expensive—around €4,000 / ~$3,900 USD depending on region, and I paid roughly $5,000 SGD in Singapore), and I immediately took it into real-world use: a major convention in China (Bilibili World) plus a couple of portrait shoots. If there was ever a reason to change systems for a lens—especially if you’re a portrait photographer—this is the kind of lens that can tip the scale. I go over handling and build (chunky, ~1.5 kg, 95mm filters, no in-lens IS, great hood design, aperture ring with lock/declick). The one tiny nitpick I have is the “kung kung” echoing sound when you hit the ends of the zoom range—I wish it was more dampened. Image quality-wise, it’s very sharp at 50mm and 150mm at F2, with only a slight drop in the extreme corners. In the field, the constant F2 is the magic: at events it keeps ISO under control and lets me shoot opportunistically, and for portraits it gives me smooth bokeh and fast framing without breaking engagement by swapping primes. Autofocus on my A7C2 is blazing fast—the fastest I’ve seen—and overall it delivers “prime-like” results with zoom convenience.

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