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The MOST DANGEROUS Pedal I've Ever Used: Polyend ENDLESS

22.2K views· 481 likes· 12:36· Apr 2, 2026

🛍️ Products Mentioned (6)

ENDLESS user? Download my favorite effect creations I made from this video and more for free and try them out yourself, my treat. https://tinyurl.com/2btawkcp Original song/demo showcasing the new ENDLESS pedal from Polyend. You can grab it HERE: https://www.polyend.com You can purchase my newly released psych-rock record, "Here's To The World As We Don't Know It" on digital or limited double-vinyl HERE: https://spiralcaster.bandcamp.com/album/heres-to-the-world-as-we-dont-know-it Come say hey on Instagram 👋 @spiral_caster SIGN UP for the new channel mailing list to stay connected and get updates on releases, new projects, community collaborations, and more fun stuff. http://eepurl.com/jjG2wM Instruments used in this vid were my modded tele deluxe with Creamery wide range pickups and my 1982 Japanese P Bass. Signal chain on the guitar was: guitar---Polyend: PRESS Compressor---ENDLESS---(left) out to Silktone 12W amp/ (right) out to Milkman: The Amp Stereo Guitars and bass recorded with a Beyerdynamic M160 Ribbon mic through a Silktone 12W amp into a UAD Apollo Twin Quad Core interface. OFFICIAL SC MERCH SHOP: The easiest way to help support the channel and get some really cool threads ❤️ http://www.etsy.com/shop/spiralcaster https://linktr.ee/SpiralCaster If you want to check out my other demos from some of my favorite pedals, this playlist is a good place to start 👇🙏 https://youtube.com/playlist?list=PLSMaocaA0rM8fLbNiQcrWgv0IGllEBVe2&si=_WnKkaNhWDS8kJXK

About This Video

In this video I dive into the Polyend ENDLESS, and yeah—I call it the most dangerous pedal I’ve ever used, because it’s not a normal “here are the algorithms” multi-effect. ENDLESS is an open platform effects pedal where you can pull effects from a community library, code your own, or do what I did most: describe a sound in plain language and have it generate a custom effect on the spot. I spent about two weeks with it, burned roughly 5,000 tokens, and ran around 80 prompts—then I wrote and recorded an original song/demo so you can hear how good this thing can actually sound in a real mix. I talk through what the process felt like: Polyend’s advice to start simple is legit, because the more layers you stack into a single prompt, the hairier the results can get. The token system (with $20/2,000 tokens included out of the box) ends up pushing you to be intentional—say what you mean and mean what you say. Some prompts landed instantly; others took trial-and-error, but even the “fails” were inspiring. It felt like mad-scientist engineering, and I loved that. I also get into who ENDLESS is really for: curious players and experimenters who want to be on the other side of the design process without learning Max/MSP or building circuits. It’s not perfect and it has limitations, but it rewards patience, iteration, and a solid effects vocabulary—and it genuinely kept me coming back because I was having fun and finally realizing sounds I’ve been chasing for years.

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