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brightin star 12mm f2.8 full frame lens review

763 views· 16 likes· 7:10· Oct 11, 2025

In this video, I put the Brightin Star 12 mm f/2.8 fully manual lens through its paces, tested on my Canon EOS R6 Mark II. This ultra-wide prime proves itself to be a surprisingly capable and flexible optic for a variety of setups. What I cover: - Mounting it on the Canon R6 II (and a look at how adaptable the lens is across different systems) - Build quality, handling, and ergonomics - Optical performance: sharpness, distortion, corner behavior, contrast, flare, etc. - The clever rear filter screw mount (you can attach small filters at the back) — a rare and handy convenience for such a lens - Real-world sample images and video clips - Strengths, quirks, and tradeoffs (after all, it’s a manual lens) - Whether this lens is a legit option for creatives who want ultra-wide capability on a budget My overall take: The Brightin Star 12 mm f/2.8 is more than just a budget option — the build is solid, the images are impressively clean with very low distortion, and the rear filter mount is a sweet bonus. If you don’t mind working in full manual and want a dramatic wide field of view with minimal compromise, this lens is a compelling addition to your kit. If you like this video, please give it a thumbs up, subscribe for more gear reviews + sample footage, and drop your questions or requests in the comments below!I hope you enjoy this video and if you have please consider subscribing to my channel, it will mean a lot to me if you do since I put a lot time and effort into making these videos. *this video description may contains Affiliate links

About This Video

In this video I unbox and test the Brightin Star 12mm f/2.8 fully manual ultra-wide prime on my Canon EOS R6 Mark II. Right away you can tell it’s an all-metal lens with a bit of weight, a labeled cap (love that for quick ID in the bag), a built-in petal hood, clicked aperture from f/2.8 to f/16, and a very short focus throw. I also show the rear element and how the lens balances on the R6 II—size-wise it looks right at home. The big reason I was excited is the “almost zero distortion” look. I’ve wanted that vibe since the Laowa zero distortion lens, but that one’s pricey—this is way more affordable. I walk through real samples and why this lens makes sense for architecture and interiors (Airbnbs, hotels, small rooms) where you want wide coverage without screaming “ultra-wide distortion.” Image quality is surprisingly clean: sharp pretty much to the edges with a little contrast/sharpness drop near the extremes, very low distortion, well-controlled flare, and chromatic aberration that’s hard to spot unless you’re really pushing it wide open into bright light. The rear screw-in filter mount is the sleeper feature—being able to run filters on a 12mm like this is genuinely a game changer for landscapes and water scenes. My main tradeoff: it’s compact, but not lightweight, and you’ll feel it on long walks.

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