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KSR Vesta & Eros - Test Drive!

681 views· 19 likes· 23:24· Jan 23, 2025

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www.gearstuffandthings.net for all downloadable content All Downloadable content is @ www.gearstuffandthings.net now. If the video lists links to downloads and it won't work please go to www.gearstuffandthings.net instead In this episode, we take a look at 2 amazing pedals from KSR Amplification. #ksramps #ksr #guitarist The Vesta™ contains a brand new set of voices along with a familiar feature set. Based on a couple of your favorite amps of the 80s and 90s, you’ll feel right at home. Picture a classic Crunch tone suitable for rock and blues, along with a familiar 90s high-gain sound. If modern extended-range high-gain is your thing, the Ceres™ delivered. If you’re more at home on a 6 string, the Vesta™ may be your preference. It’s smooth, chunky, thick, and more low-mid-focused. It takes boosts just like your favorite vintage high-gain amps. It responds incredibly well to the guitar’s volume control. The Eros - It’s not your typical boost. It will boost clean without overdrive, add a little grit, or add distortion. It has a 3-band active EQ for precision sculpting. Use it in front to add volume or grit to a clean or crunch channel. Or, sculpt your amp’s distortion response, as you would with a typical boost. However, you’re no longer limited to a narrow frequency range dictated by a single-tone control found on a lot of classic boosts. Similarly, use it before or after the Ceres for even more control over its tones, and in order to get the most out of it based on your power amp situation. Setup Notes This is not “just another TS style boost,” therefore it should not be set up in that way. e.g. don’t crank the Level and cut the Gain. Start with both at noon and go from there. The Feel (tight/fat/thick) and Mode (clean/clip/dirt) switches will lose effectiveness the lower the Gain control is set. Further, the higher the Level is cranked the more internal distortion can be generated in the last gain stage, and therefore it will add distortion within the Eros coupled with a higher Gain setting. With a lower Gain setting the last stage will remain unclipped, but a huge signal will slam the front end of any amp. This can be too large a signal to achieve your desired sound. e.g. too much saturation due to lack of headroom in the amp’s first stage. In short, all the controls will interact, and there are countless ways you can run this pedal. Please experiment and share your results!! The Vesta Preamp -https://ksramps.com/product/vesta/ Eros Boost - https://ksramps.com/product/eros/ Zzounds Affiliate Links My goto Baritone string set https://www.zzounds.com/a--3990506/item--DADEXL157?siid=128378 My goto Mic for video creation https://www.zzounds.com/a--3990506/item--PRSPD70?siid=285097 My Audio Interface of choice https://www.zzounds.com/a--3990506/item--DADEXL157?siid=128378 GET MY MY HELIX & PodGo Preset Packs - https://gearstuffandthings.com/home My Music https://www.modernwithcraftband.com My Band https://redmothrecords.bandcamp.com Solo Projects For Mixing/Mastering or Consultation Inquiries Email me @ Gearstuffanthings@gmail.com DONATE Cash App $GearStuffandThings Paypal gearstuffandthings@gmail.com Email GearStuffandThings@gmail.com

About This Video

In this video I took two KSR pedals out for a proper test drive: the Vesta three-channel preamp and the Eros boost/overdrive. I don’t review pedals all the time, so I approached this the way I’d actually use them in the real world—plug in, get sounds fast, and see if they feel like “a rig” instead of a science project. The Vesta looks like a lot at first, but it’s basically three rows = three channels: clean up top, rhythm in the middle, lead on the bottom. I ran it like a true preamp into a Seymour Duncan PowerStage 170 and an Orange 2x12, and it was shockingly easy to dial in a usable clean, a tight chunky rhythm tone, and a smoother lead sound. Then I switched over to the Eros in front of a KSR Gemini capture in the Quad Cortex (no cab), into the same PowerStage/Orange 2x12 setup with an SM57. I set everything at noon like Kyle told me—because this is not “just another Tube Screamer”—and it immediately tightened the low end, added punch, and brought the tone to life without getting overly fizzy or dumping a pile of distortion on top. Between the mode/feel options and the active EQ, it can be clean boost, a little grit, or full-on dirt, and honestly it’s one of the few boost pedals that actually impressed me.

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