In this video I’m reacting to Lil Yachty pulling up to Plaqueboymax’s FL Studio session, and I’m breaking down the real stuff that matters: the songwriting tricks, the energy in the room, and the engineering decisions that can either save you or get you a million revisions. They’re trying to set a record (six songs in one night), so you get to see how fast things move when artists are punching in, repeating lines, and asking for loops and nudges on the spot. I talk heavy about the workflow difference when you’re recording vocals in FL Studio vs Pro Tools. I’m not gonna lie—FL is a red flag for me for vocal editing speed, especially when nothing is on the grid and the artist starts saying “move it back a little” or “add one more ‘go’ and shift everything.” That’s where engineers get cracked if you’re not experienced. I also highlight Yachty’s approach: he comes in demanding attention, uses pockets and breaks, and even steps into an executive producer role by directing what should be more “hooky.” Big takeaway: know what role you are in the session (producer, artist, engineer), bring energy, and keep your edits tight—because if it feels on in the moment, it might be off later, and that’s revision city.