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How I Photograph D1 Locker Rooms (Start to Finish)

1.2K views· 74 likes· 7:01· May 30, 2025

At the time of this recording I am the Creative Director for Colorado State University. New videos every Friday. eMail me for business inquiries or questions: jarenfritz@gmail.com Or connect with me on LinkedIn: https://www.linkedin.com/in/jarenfritz/ Follow my Instagram to see even more content: https://www.instagram.com/frizzyvisuals/ Thanks for watching. Ignore this next big large blob of text, just tryna spread the word: Sports Design Tutorials, Sports Photography Tips, Basketball Photography Techniques, Division 1 Sports Photography, College Creative Director Advice, Sports Photography Lighting Setup, Basketball Action Shots Photography, College Sports Design Ideas, How to Shoot Basketball Photography, Sports Photography Composition, Sports Photography Editing Tutorial, Sports Design for Social Media, College Sports Marketing Strategies, Basketball Game Day Photography Tips, Sports Visual Branding, Creating Sports Posters for Teams, Sports Photography Gear Reviews, Best Lenses for Sports Photography, College Athlete Photography Tips, Basketball Photography Behind the Scenes, Sports Photography Workflow, Division 1 Sports Design Inspiration, How to Design Sports Graphics, Sports Photography Equipment Essentials, Sports Photography for Beginners, High-Energy Sports Photography, How to Capture Basketball Moments, College Sports Campaign Design Ideas, Sports Photography Editing Software Tips, How to Build a Sports Photography Portfolio, Sports Photography Lighting Techniques, Creative Sports Photography Styles, Basketball Court Photography Tips, Sports Design for College Athletics, Sports Photography Trends, Action Photography Tips for Sports, Sports Photography and Video Integration, Designing College Sports Campaigns, College Basketball Photography Ideas, How to Photograph Sports Events, Sports Marketing Design for Athletes, Behind the Scenes of Sports Design, Basketball Photography Camera Settings, Creative Sports Visual Design Process, Sports Photography Post-Production, College Basketball Graphic Design Tips, Sports Design Software Tutorials, How to Create Engaging Sports Content, College Athlete Photography Ideas, Sports Photography for Instagram, Jaren Fritz Sports Design, FrizzyVisuals Sports Photography, Colorado State University Sports Design, Jaren Fritz Photography Tips, FrizzyVisuals Basketball Photography, Colorado State University Creative Director, Behind the Scenes with Jaren Fritz, FrizzyVisuals College Sports Design, Jaren Fritz College Sports Branding, FrizzyVisuals Sports Photo Editing, Colorado State University Athletics Visuals, Jaren Fritz Basketball Photography Tips, FrizzyVisuals Sports Photography Workflow, Colorado State University Sports Media, Jaren Fritz Creative Director Insights, FrizzyVisuals Basketball Game Day Photography, Colorado State University Sports Marketing, Jaren Fritz Sports Graphic Design Process, FrizzyVisuals Sports Photography Gear, Colorado State University Sports Visual Storytelling

About This Video

You’ve probably been told to go shoot your athletic facilities and immediately realized the problem: the lighting is trash, the rooms feel like caves, and every angle makes the space look smaller than it is. In this video I walk you through exactly how I photograph D1 locker rooms start to finish as the Creative Director for Colorado State Athletics. I’m re-shooting our men’s basketball facilities top to bottom, and I break down the gear I trust (yes, bring a tripod), how I choose lighting “vibes,” how I keep the space clean, and how I find compositions that actually make tight rooms feel premium. The biggest takeaway is my bracketing workflow for ugly mixed lighting. I shoot wide (around 16–25mm) so it feels spacious without turning into a fisheye fever dream, then I run continuous bracketing with a 1-stop EV shift and fire off five exposures. Later in Lightroom Classic, I select the set, Photo > Photo Merge > HDR, and use my same settings every time to blend into one clean file with way more dynamic range. From there it’s small base edits, and when needed I’ll use masks (like warming up the court to bring back that natural wood feel) so the final images look polished for websites, recruiting packets, and anything else the program needs.

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