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5 Coloring Techniques You're Avoiding (And How to Make Them Easier)

10.1K views· 941 likes· 21:50· Dec 22, 2025

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In today’s video, I’m tackling five coloring techniques you’ve been avoiding and sharing my adult coloring tips for each one. From backgrounds and light sources to hair, skin, and gel pen embellishments, I’ll be working in a Christine Karron coloring book and using a mix of colored pencils, alcohol markers, and languo gel pens to hopefully make these intimidating techniques feel much more manageable. If you love adult coloring books, coloring tutorials and how to color videos, make sure to subscribe for more coloring content in the future. Happy coloring! 💛 POLYCHROMOS SKIN COMBO: 42, 98, 11, 89, 86, 31, 9 (for yellow highlights) SARAH RENAE CLARK AFFILIATE LINK: https://sarahrenaeclark.com/?ref=259 PATREON: https://www.patreon.com/cw/APicturedPurpose MY KO-FI STORE: https://ko-fi.com/apicturedpurpose SHOP MY BOOKS & SUPPLIES ON AMAZON: US: https://www.amazon.com/shop/apicturedpurpose AUS: https://www.amazon.com.au/shop/apicturedpurpose SOCIAL MEDIA ACCOUNTS: Instagram: https://www.instagram.com/apicturedpurpose TIMESTAMPS 00:00 – 5 Adult Coloring Techniques You're Avoiding (Int 00:42 – Coloring Technique 1: Backgrounds 05:48 – Coloring Technique 2: Light Sources 09:48 – Coloring Technique 3: Hair 12:45 – Coloring Technique 4: Skin 16:45 – Coloring Technique 5: Gel Pen Embellishments 20:00 – Outro #adultcoloring #coloringtutorial #coloringtechniques #coloringforadults #coloringforbeginners #alcoholmarkers #greyscalecoloring

About This Video

This year I’ve made a lot of videos about the stuff I’ve personally been avoiding in coloring—but for this one, I wanted to make it all about you. I asked which techniques you tend to dodge, and we’re working through the five most common answers: backgrounds, light sources, hair, skin, and gel pen embellishments. I’m coloring in Wondrous Folk by Christine Karron, using a mix of colored pencils, alcohol markers, and gel pens, and the whole goal is simple: make these techniques feel less scary and more approachable (not perfect, not overly complicated). For backgrounds, I show how starting with a light base layer can help you plan gradients and cover the white tooth of the paper before you commit. Then I tackle alcohol marker backgrounds with lots of layering, blending, circular motions to reduce streaks, and yes—put something behind your page so you don’t learn the hard way like I did. For light sources, I map highlights first (usually with a pale yellow marker), blend them out, and then focus on contrast—because deep shadows are what actually sell the glow. And for portraits, I lean on grayscale as a gateway: follow the illustrator’s mapped shadows, build your color combos in light layers, and finish with subtle gel pen highlights and a few “visual band-aid” dots to pull everything together.

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