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You Know These Songs… But Not Like This | Anne Bisson Guilty Pleasures One-Step Vinyl Review

424 views· 27 likes· 5:44· Mar 5, 2026

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Some albums grab your attention with big production and dramatic performances. Others pull you in quietly and never let go. In this video, we take a close listen to Anne Bisson’s Guilty Pleasures — a beautifully recorded covers album that reimagines familiar songs through intimate piano arrangements and delicate vocal performances. Featuring reinterpretations of classics like “Harvest Moon,” “Wild Horses,” “Comfortably Numb,” “In the Ghetto,” and “Autumn Leaves,” this record takes a restrained and emotional approach that feels personal rather than performative. Instead of trying to outdo the originals, Anne Bisson slows things down and lets the music breathe. We also dive into the 2026 One-Step vinyl pressing, mastered by Bernie Grundman and pressed at RTI, and discuss how the quiet vinyl, low noise floor, and natural soundstage bring out the nuance of this recording. If you enjoy intimate vocal recordings, high-quality audiophile pressings, and music that rewards careful listening, this is a record worth exploring. Learn more about Anne Bisson: https://www.annebisson.com/en/home/ Order the album: https://www.annebisson.com/en/product/guilty-pleasures-2/#tab-description Chapters: 00:00 Introduction 02:03 The Album & Song Selection 02:52 Recording & Sound Quality 03:50 One-Step Vinyl Pressing (RTI / Bernie Grundman) 04:41 Final Thoughts Subscribe for more vinyl reviews, audiophile pressings, and record collecting content. Follow on Instagram for daily vinyl posts: https://www.instagram.com/vinyllattecafe #VinylRecords #AnneBisson #Audiophile #VinylReview #NowSpinning #RecordCollection #VinylCommunity #VinylAddict #RecordCollector #VinylJunkie #VinylLovers #VinylGram #VinylLove #VinylLife #VinylAddiction #TurntableTuesday #CrateDigging #Music #MusicLover

About This Video

In this video I’m diving into Anne Bisson’s 2026 release, “Guilty Pleasures,” and the big surprise is that one of the most beautifully recorded albums of the year is a covers record. But not the lazy kind. She curated songs that clearly mean something to her—“Harvest Moon,” “Wild Horses,” “Comfortably Numb,” “In the Ghetto,” and “Autumn Leaves”—and reimagined them through intimate piano arrangements, airy acoustic textures, and that soft, breath-forward vocal delivery she’s known for. What hit me is the restraint: she’s not trying to out-sing the originals or throw gimmicks at them. She slows everything down and lets the emotion sit in the room. “Comfortably Numb” becomes reflective and almost fragile, and “Wild Horses” feels like a late-night interpretation where you’re listening at low volume, but with full attention. Then I get into the 2026 One-Step pressing—mastered by Bernie Grundman and pressed at RTI. The noise floor is incredibly low with a black background, natural soundstage, and smooth top end that never gets overly shiny. On a resolving system, this record becomes less about nostalgia and more about presence—proof that not everything needs to be loud to be powerful.

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