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2026-04-22 01:55:54

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A lot of what Evan learned for this video came from a conversation he had with Kwong Chi's sister, Muna Tseng, who is a brilliant artist in her own right. Check out her work here

Munatseng

A lot of what Evan learned for this video came from a conversation he had with Kwong Chi's sister, Muna Tseng, who is a brilliant artist in her own right. Check out her work here

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‘SlutForArt’ and the Photographs of Tseng Kwong Chi.” Theatre Journal, vol. 53, no. 1, 2001, pp. 73–94. JSTOR,

Jstor

‘SlutForArt’ and the Photographs of Tseng Kwong Chi.” Theatre Journal, vol. 53, no. 1, 2001, pp. 73–94. JSTOR,

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Day, Iyko. “Tseng Kwong Chi and the Eugenic Landscape.” American Quarterly, vol. 65, no. 1, 2013, pp. 91–118. JSTOR,

Jstor

Day, Iyko. “Tseng Kwong Chi and the Eugenic Landscape.” American Quarterly, vol. 65, no. 1, 2013, pp. 91–118. JSTOR,

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Monuments and Natural Wonders.” Aperture, no. 110, 1988, pp. 16–16. JSTOR,

Jstor

Hobbs uses pencils and stencils to create a sketch, based on a photograph of Naima, on a massive wood block. She then moves on to a carving the block and preparing it for printing. This wood block, in turn, is split back into two parts, inked and ...

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A lot of what Evan learned for this video came from a conversation he had with Kwong Chi's sister, Muna Tseng, who is a brilliant artist in her own right. Check out her work here

‘SlutForArt’ and the Photographs of Tseng Kwong Chi.” Theatre Journal, vol. 53, no. 1, 2001, pp. 73–94. JSTOR,

Day, Iyko. “Tseng Kwong Chi and the Eugenic Landscape.” American Quarterly, vol. 65, no. 1, 2013, pp. 91–118. JSTOR,

Monuments and Natural Wonders.” Aperture, no. 110, 1988, pp. 16–16. JSTOR,

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Hobbs uses pencils and stencils to create a sketch, based on a photograph of Naima, on a massive wood block. She then moves on to a carving the block and preparing it for printing. This wood block, in turn, is split back into two parts, inked and ...