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"Wuthering Heights," and what happens when self servicing directors adapt classic literature...

7.9K views· 526 likes· 66:34· Feb 22, 2026

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🧡 JOIN OUR BOOK CLUB: https://www.patreon.com/melreads on emerald fennell's "Wuthering Heights," and what happens when self servicing directors adapt classic literature... this time, emily brontë's novel, Wuthering Heights published in 1847. the adaptation features margot robbie and jacob elordi as its leads, music by charli xcx, a steamier take on the story, and LOTS of controversy upon its theatrical release🥀 📫 Find me here! ➭ instagram: https://instagram.com/melynicky ➭ goodreads: https://goodreads.com/melynicky ➭ business inquiries: melynicky2@gmail.com 🫧 Watch next... ➭ reading wrap up: https://youtu.be/S7woMRtmN5I ➭ february tbr: https://youtu.be/UHlso7EtqZs ➭ first vlog of the year: https://youtu.be/8ZeeX7xmh3M ➭ 2026 classics tbr: https://youtu.be/vgFa0ALGW5c ᯓ★ thank you SO much for watching, and being part of this community! Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. All the videos, songs, images, and graphics used in the video belong to their respective owners and this channel does not claim any right over them. chapters: 0:00 intro 6:00 what happens in fennell's "wuthering heights" 23:52 constructing the Other in wuthering heights 38:22 exploring the ontology in wuthering heights 49:25 wuthering heights' inheritance of violence 59:17 what happens when self servicing directors adapt classic literature

About This Video

In this video, I’m yapping about Emerald Fennell’s upcoming “Wuthering Heights” adaptation and the particular brand of chaos that happens when a director gets a little too self-insert-y with classic literature. I walk through what’s being teased: Margot Robbie and Jacob Elordi as the leads, Charli XCX on the music, a steamier angle, and the controversy that tends to follow when a beloved, messy book gets repackaged for the big screen. I’m not here to be precious about classics, but I am here to ask: what are we actually adapting—and what are we flattening to make it marketable? I dig into the bones of Brontë’s story—how “the Other” is constructed in the novel, how the book’s worldview (its whole ontology) shapes the way we read Heathcliff, Catherine, and the house-as-ecosystem vibe of Wuthering Heights itself. Then I talk about the inheritance of violence in the text: how harm replicates, how it’s passed down, and why sanding that off for a sexier, slicker version changes the entire point. My big takeaway is that adaptation can be thrilling, but when it becomes self servicing, it stops being an interpretation and starts being a takeover.

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