Vigyata.AI
Is this your channel?

Aspect Ratios to use for Every Platform | What Filmmakers and Videographers Must Know

4.8K views· 103 likes· 4:53· Nov 20, 2024

🛍️ Products Mentioned (35)

Here is a doc to show you all the aspect ratios for different resolutions

Here is a doc to show you all the aspect ratios for different resolutions

Available on bit

Sony FX6 Full-Frame Cinema Camera (Body Only)

Available on bhpho

Bright Tangerine LeftField 3 Quick Release Baseplate for Sony FX6

Available on bhpho

Bright Tangerine Top Plate II for Sony FX6

Available on bhpho

Bright Tangerine Top Plate Filler Piece for Sony FX6

Available on bhpho

Bright Tangerine Drumstix 15mm Rods (12", Pair)

Available on bhpho

Bright Tangerine 15mm Single-Rod Clamp

Available on bhpho

Bright Tangerine NATO Top Handle (F/B)

Available on bhpho

Bright Tangerine Clamp Adapter for Misfit Kick Matte Box (114mm)

Available on bhpho

Bright Tangerine 15mm LWS Support for Misfit Kick Clamp

Available on bhpho

Bright Tangerine Misfit Six 3-Stage Matte Box Kit

Available on bhpho

SmallHD Cine 7 Touchscreen On-Camera Monitor

Available on bhpho

Core SWX NANOX V150 Micro 150Wh Li-Ion Battery (V-Mount)

Available on bhpho

Wooden Camera Battery Slide Pro for Sony FX6 (V-Mount)

Available on bhpho

Cable Flexer 12G SGI and D-Tap to DC Barrel Screw-in

Available on bit

Sony FE 50mm f/1.2 GM Lens (Sony E)

Available on bhpho

Zoom F6 6-Input / 14-Track Multitrack Field Recorder

Available on bhpho

Sennheiser MKH 416-P48U3 Shotgun Microphone

Available on bhpho

Auray DUSM-1 Universal Shockmount

Available on bhpho

Auray Boom Pole Holder

Available on bhpho

Impact Grip Head for Lights and Accessories - 2.5" Diameter

Available on bhpho

Impact Turtle Base C-Stand (10.75', Chrome)

Available on bhpho

Neewer MS-300C Microphone Boompole

Available on bhpho

Aputure 600D

Available on bhpho

Aputure Light Dome III

Available on bhpho

Impact Lowboy Steel Stand

Available on bhpho

Matthews RoadFlags II Frame (48 x 48")

Available on bhpho

Matthews RoadFlag Artificial Silk Fabric (48 x 48")

Available on bhpho

Impact 40" Extension Grip Arm

Available on bhpho

Aputure INFINIBAR PB6 RGB LED Light Panel (2')

Available on bhpho

Impact Air-Cushioned Light Stand (Black, 8')

Available on bhpho

Impact Plate Clamp Duckbill Style

Available on bhpho

Neewer 5-in-1 Portable Lighting Reflector/Diffuser Kit (3.3 x 4.9')

Available on bhpho
Tres Media Co.

Tres Media Co.

Available on tresmediaco

ARTLIST (Best value for Business Owners)

Available on bit

Here is a doc to show you all the aspect ratios for different resolutions: https://bit.ly/3AU3Eaj A PNG overlay for your video to see what it may look like is included. |WHAT GEAR I USE| CAMERA: Sony FX6 Full-Frame Cinema Camera (Body Only) - https://bhpho.to/414eMMf Sony FE 50mm f/1.2 GM Lens (Sony E) - https://bhpho.to/416OuJx Bright Tangerine LeftField 3 Quick Release Baseplate for Sony FX6 - https://bhpho.to/4i4Ulox Bright Tangerine Top Plate II for Sony FX6 - https://bhpho.to/498T0ca Bright Tangerine Top Plate Filler Piece for Sony FX6 - https://bhpho.to/3ZuEBmz Bright Tangerine Drumstix 15mm Rods (12", Pair) - https://bhpho.to/3Ot1AJn Bright Tangerine 15mm Single-Rod Clamp - https://bhpho.to/3B3m6gM Bright Tangerine NATO Top Handle (F/B) - https://bhpho.to/4eO3crV Bright Tangerine Clamp Adapter for Misfit Kick Matte Box (114mm) - https://bhpho.to/3CMGZgx Bright Tangerine 15mm LWS Support for Misfit Kick Clamp - https://bhpho.to/4ePMnwH Bright Tangerine Misfit Six 3-Stage Matte Box Kit - https://bhpho.to/415TSwe SmallHD Cine 7 Touchscreen On-Camera Monitor - https://bhpho.to/4fM4hlo Core SWX NANOX V150 Micro 150Wh Li-Ion Battery (V-Mount) - https://bhpho.to/3ZcrLJ8 Wooden Camera Battery Slide Pro for Sony FX6 (V-Mount) - https://bhpho.to/4i8Amp2 Cable Flexer 12G SGI and D-Tap to DC Barrel Screw-in: https://bit.ly/3XBAnbh AUDIO: Zoom F6 6-Input / 14-Track Multitrack Field Recorder - https://bhpho.to/4i7pAiU Sennheiser MKH 416-P48U3 Shotgun Microphone - https://bhpho.to/3OxEu4c Auray DUSM-1 Universal Shockmount - https://bhpho.to/3ZcKm82 Auray Boom Pole Holder - https://bhpho.to/3OubXN9 Impact Grip Head for Lights and Accessories - 2.5" Diameter - https://bhpho.to/3Ov8pKG Impact Turtle Base C-Stand (10.75', Chrome) - https://bhpho.to/49cUYs0 Neewer MS-300C Microphone Boompole - https://bhpho.to/3OqE4wN KEY LIGHT: Aputure 600D - https://bhpho.to/3ZriTkw Aputure Light Dome III - https://bhpho.to/4g9YlCj Impact Lowboy Steel Stand - https://bhpho.to/4eKaVqY Matthews RoadFlags II Frame (48 x 48") - https://bhpho.to/4fOCDEk Matthews RoadFlag Artificial Silk Fabric (48 x 48") - https://bhpho.to/3B4n64a Impact 40" Extension Grip Arm - https://bhpho.to/3CQBE83 Impact Grip Head for Lights and Accessories - 2.5" Diameter - https://bhpho.to/3Ov8pKG HAIR LIGHT: Aputure INFINIBAR PB6 RGB LED Light Panel (2') - https://bhpho.to/416v2MY Impact 40" Extension Grip Arm - https://bhpho.to/3CQBE83 Impact Turtle Base C-Stand (10.75', Chrome) - https://bhpho.to/49cUYs0 Impact Grip Head for Lights and Accessories - 2.5" Diameter - https://bhpho.to/3Ov8pKG BOUNCE: Impact Air-Cushioned Light Stand (Black, 8') - https://bhpho.to/49dIIYE Impact Plate Clamp Duckbill Style - https://bhpho.to/4g3TTVO Impact Grip Head for Lights and Accessories - 2.5" Diameter - https://bhpho.to/3Ov8pKG Neewer 5-in-1 Portable Lighting Reflector/Diffuser Kit (3.3 x 4.9') - https://bhpho.to/3CKxXRf Aspect ratios are more than technical details—they’re the canvas on which your visual stories unfold. From the towering verticality of 9:16 to the cinematic grandeur of 2.39:1, each ratio invites a distinct perspective, shapes emotions, and transforms how audiences connect with your work. In this in-depth exploration, we break down the critical role aspect ratios play in modern filmmaking and videography. Learn how to master the language of: 16:9 – The universal standard for YouTube, TV, and streaming. 9:16 – The bold intimacy of vertical video for TikTok, Reels, and Snapchat. 4:5 – The feed-dominating ratio for Instagram and Facebook. 1:1 – A square, symmetrical format perfect for attention-grabbing posts. 2.39:1 – The widescreen choice for cinematic storytelling. 2:1 – The modern, adaptable format for web and branded content. But we go deeper. This isn’t just about ratios; it’s about choices. Lens selection shapes how aspect ratios frame your vision. Should you choose an anamorphic lens for its sweeping scope or a prime lens for its clarity across formats? And how do these decisions affect client expectations, platform performance, and your creative intent? We also tackle the eternal debate: 4K or 1080P? When does resolution matter, and how do you balance quality with practicality for different deliverables? Whether you're crafting vertical stories for a global audience or refining cinematic cuts for agencies, this video is your guide to making every pixel purposeful. Timestamps: 0:00 Introduction 0:25 What Are Aspect Ratios? 1:23 Lens Choices and Framing for Aspect Ratios 2:05 Delivering for Clients and Agencies 2:46 4K vs 1080P: Which Should You Shoot? 3:16 Platform-Specific Recommendations 4:02 Conclusion |WHERE I GET MY MUSIC| ARTLIST (Best value for Business Owners): https://bit.ly/Artlistk |CHECK OUT MY SITE| Tres Media Co. https://www.tresmediaco.com/ Thanks for watching… For business inquiries and brand partnerships email: numberw332@gmail.com Produced By Karl Weinreich

About This Video

Aspect ratios are more than just numbers—they’re critical to how your work is seen, appreciated, and delivered. In this video I break down the most common formats I actually run into on real jobs: 4:3, 2.39:1, 2:1, 9:16, 1:1, 16:9, and 4:5. I explain what each one is best for (YouTube/TV, TikTok/Reels, Instagram feed posts, modern web “cinematic,” and that anamorphic widescreen look), and why each ratio serves a different purpose—some are about engagement, others are about storytelling. I also get into the practical side: lens choice and how it affects framing and composition when you know you’ll be cropping. Anamorphic lenses are built for 2.39:1, primes like 24mm and 35mm are flexible across formats, and for vertical 9:16 I’m thinking about minimizing distortion—especially for portraits and close-ups. From the client/agency side, I talk about building deliverable packages (16:9 + 9:16 + 1:1), why asking for a spec sheet before you shoot saves you in post, and when it makes sense to shoot 4K/6K/8K versus 1080p. The big takeaway: plan ahead, keep key elements in the safe zone, and shoot with flexibility so you can deliver clean versions for every platform.

Frequently Asked Questions

🎬 More from Karl Weinreich