The 2021 Nils Klim Prize is awarded to Finnish-Russian Daria Gritsenko, for her outstanding research contributions in the intersection between political science, environmental studies and digital humanities. DARIA GRITSENKO (b. 1986) Daria Gritsenko is Assistant Professor in Russian and Eurasian Studies at the University of Helsinki, Finland. She holds a PhD in Social Sciences (2014) and a title of Docent in Environmental Policy (2018), both from the University of Helsinki. Gritsenko worked as a visiting researcher in Tromsø(Norway), Sapporo (Japan), Exeter (UK), and Las Palmas (Spain). In 2018-19, she was a Fellow of the prestigious Fulbright Arctic Initiative and a Visiting Scholar at the George Washington University (DC, USA), investigating pathways of renewable energy development in the Russian Arctic. Gritsenko's research is in the field of public policy and governance, with a particular focus on the dynamics between the state and non-state actors in response to the changing natural and technological environments. Her work appeared in renowned academic journals, including Energy Policy, Energy Research and Social Science, Elementa, Policy Studies Journal, and Regulation and Governance. In 2017, Gritsenko co-founded Digital Russia Studies, a scholarly network exploring new ways for combining data science and social sciences in area studies. This initiative resulted in publication of multidisciplinary Palgrave Handbook of Digital Russia Studies (2021), a volume that reflects how the 'digital' is simultaneously changing Russia and the research methods scholars use to study Russia and offers practical methodological guidance.

Award Ceremony for the 2026 Holberg Prize and Nils Klim Prize
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The Holberg Masterclass with Lyndal Roper: ‘Bodies, Gender, Psyche, Movement’
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The 2026 Holberg Lecture: 'Who Owns Fertility? The Reformation’s Sexual Politics'
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An Evening with the Holberg Prize, feat. Lyndal Roper and Majse Lind.
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The Nils Klim Symposium: ‘Storying the Person in a Mental Health Crisis’
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The Holberg Symposium: ‘Where is History Moving? New Directions in Writing the Past’
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