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How to make a beat with LANDR Chromatic!

8.6K views· 166 likes· 10:53· Jan 12, 2022

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Making a beat with the LANDR Chromatic plug-in which is a playable loop-based plugin that integrates into any DAW, inspiring you over and over again! Download Chromatic Free Trial: https://bit.ly/3HPOLU5 ✅ DOWNLOAD FREE LOOP KIT "ELOQUENT" https://freakquincy.com/collections/free-drums-sounds-collection/products/eloquent-free-sample-loop-kit ✅ DOWNLOAD FREE LOOP KIT "MINIMALIST" https://freakquincy.com/collections/free-drums-sounds-collection/products/minimalist-free-sample-loop-kit ✅ DOWNLOAD ANGELS VOL. 2 DRUM KIT https://freakquincy.com/products/angels-vol-2-drum-kit ✅ SIGN UP TO MY PATREON AND GET ALL UPCOMING PROJECT FILES, STEMS, ONE-SHOTS, AND MIDI FILES OF MY TUTORIALS! https://www.patreon.com/join/cjbeatz ✅ DOWNLOAD THIS LOGIC PRO X PROJECT FILE + STEMS + MIDI https://freakquincy.com/collections/free-logic-pro-x-templates/products/how-to-make-a-rage-type-beat-in-logic-pro-x ✅ MORE SOUNDS, SAMPLES & TUTORIALS https://freakquincy.com MORE LINKS TO CONNECT WITH ME: 📺 SUBSCRIBE: http://youtube.com/cjbeatzproductions 📺 MORE TUTORIALS: https://goo.gl/KFZm8k 💯 INSTAGRAM: http://instagram.com/cjbeatznyc 📱 TIKTOK: https://www.tiktok.com/@cjbeatznyc 🐦 TWITTER: http://twitter.com/CJBeatzNYC 👍 FACEBOOK: https://www.facebook.com/therealcjbeatz 📩 CONTACT: cjbeatz@gmail.com

About This Video

In this video I’m back in Logic Pro making a full beat using LANDR’s brand new plugin, Chromatic. It’s a playable loop-based plugin that drops right into any DAW, and the whole point is inspiration—fast. I walk you through how I browse the library by Moods (I went straight to Cinematic Textures because you already know I like cinematic vibes) and Sets, where you can search by instrument/genre. The loop quality is super fire, and I also like that Chromatic puts the producer/artist in the spotlight and lets you jump to their profile to find more of their stuff. Once I find a loop that hits, I record it immediately—if you feel inspired, you gotta go with it and not beat around the bush. I show how the bottom keys trigger loops while the top keys add effects like tape stop, reverse, stutters, double time/half time, octave moves, plus a randomizer. Then I lock the key to B minor, bounce in place to “recreate the sample,” and start building: add a second Chromatic layer (voices), program a sub bass line, chop and reverse sections with fades for that sidechain-type movement, and layer guitar. From there it’s drums (808, clap, hats, perc, kick), a hook variation, a pitched-up section (+12), and Flex Time (Polyphonic) to keep pitched audio from sounding robotic. Final takeaway: keep it simple, leave room for the artist, but still get the most out of the session.

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