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Best of My Wedding Photos in 2024

2.5K views· 166 likes· 16:02· Jan 29, 2025

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I know, I know. End of Wedding season means submitting to popular 'Best of Weddings' Contests around the internet. I only submit and bother with one [Junebug Weddings] since I have been on their roster the past several years. This video highlights a few of the images that made the shortlist for my submission. I go through each entry individually and share a few sentiments and thoughts about the day or how I shot the image. I also provide information about what camera and lens set-up I used, which film stock if I shot on film. None of these images won any awards but they all hold a dear place in my heart as I recap my wonderful 2024 of shooting weddings. A few products mentioned in this video: Kodak 400 Tmax https://bhpho.to/3P6I1a0 Cinestill 400D https://bhpho.to/40VsmkU Leica M11 https://bhpho.to/3YYjU1V Canon R6ii https://bhpho.to/3EgZkDl Sigma Art 24mm https://bhpho.to/3Vt6nP8 Full Blog Post from my annual Year in Review https://www.teribphotography.com/2025/01/05/2024-year-in-review/ Music at the beginning with used with License. ID VPZOCVW1LFIZXDF8 #weddingphotography #weddingphotos #photographyreview #photographer #photoreview #leicaphotography #filmphotography

About This Video

I entered a “Best of 2024 wedding photos” contest (Junebug Weddings), didn’t win anything, and I’m genuinely fine about it. What I loved, though, was the excuse to pull together my favorite images from my 2024 season and talk through them like a little show-and-tell—how I found the frame, what the moment felt like, and what I was thinking when I clicked the shutter. Think of this as my not-so-losers gallery: a recap of the photos that didn’t take home awards, but absolutely matter to me. In this video I walk through a handful of shortlist images one by one—film and digital—sharing the camera/lens setups and film stocks when relevant. I talk about everything from Acros black and white aisle moments, to South Asian weddings on CineStill (including a total risk that paid off), to portraits on the Leica M11 in San Francisco. You’ll also hear me nerd out about composition (tilt-shift lines, Wes Anderson symmetry), motion blur prompts, and the “bubble gum flare” I got from my vintage 35mm Summicron. The biggest takeaway: awards are a funny thing in this industry, and I don’t measure my work by them—these images are favorites because they hold real emotion and real story.

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