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2026 PEDALBOARD WALKTHROUGH | ToneX

6.8K views· 213 likes· 17:26· Dec 27, 2025

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Here is my updated 2026 Pedalboard Walkthrough! 🚨 https://nathanhernandezmusic.com/ - BIGSKY PRESETS!! 🚨 Timestamps down below! 0:00 Intro 1:04 Grestch showcase 2:04 Telecaster showcase 3:19 Clean tone/Amps 3:40 Digitech Drop 4:41 Walrus Audio Compressor 4:53 Benson Preamp 5:26 Daily Driver (Boost Only) 6:29 Daily Driver (Drive Only) 6:50 Daily Driver (Drive and Boost) 7:15 JHS Superbolt V2 7:57 Walrus Audio Julianna (Chorus/Vibrato) 8:52 GFI System (Delay) 9:51 GFI System (Tremelo) 10:27 GFI System (Glitch) 11:01 Strymon BigSky 13:05 TONES! "songs" 16:53 Outro ⚡️(If you enjoy my guitar covers/playthroughs, subscribe with the notification bell turned so you never miss a video!) ⚡️ Contact: Nathanhernandez270@gmail.com Instagram: https://www.instagram.com/_nathanhz/ Guitars: Fender Ultra Series Telecaster (Used in this video) Gretsch G6112TCB-JR - Jaguar Tan/Copper Metallic Amps: ToneX Ones (Stereo Amps) - (L) Tone Shepherd "Bad Cat" - (R) Tone Junkie "Fender Deluxe Reverb" Pedalboard: Walrus Audio Deep Six Compressor V3 Mooer Tender Octaver Benson Preamp Shnobel Tone Daily Driver Boost JHS Superbolt V2 Walrus Audio Julianna Chorus GFI System Specular Tempus (Delay) Strymon BigSky ToneX Ones Pinstripe Pedals - DISO Plus – Dual Line Isolator w/ XLR Polarity Reverse Switch #worship #church #guitar #music #tonex #ampsim #2026 #pedalboard

About This Video

In this 2026 pedalboard walkthrough, I’m showing you my updated worship guitar rig built around a stereo ToneX setup, plus how it all feels in a “live + studio” kind of workflow. I start by showcasing the two guitars I’m using here—my Gretsch (that Jaguar Tan/Copper vibe is just beautiful) and my Fender Ultra Telecaster. I talk through what I love about them in this context: clean, punchy, super clear tones that sit right where I want them, especially when I’m chasing that polished church-mix sound. From there I walk down the board and explain what each piece is doing for my core worship tones—compression, preamp/drive stages, modulation, delay, and big ambient reverb. The big takeaway is that I’m keeping the signal chain practical and musical: a clean foundation that still has punch, gain stages that stay controlled, and time-based effects that can go from subtle to huge without getting messy. If you’re building a modern worship pedalboard and want a clear, “studio-ready” sound that still works live, this is exactly how I’m approaching it for 2026.

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