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Why is my casting slip hard-panning? | For Flux Sake Episode 117

323 views· 8 likes· 38:19· Nov 20, 2025

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Commercial casting slips are great for their convenience, but what do you do when your recipe hard-pans in the bucket? Today the gang talk about why hard-panning happens and how you can fix it. They also discuss making temp checks, the best bisque temp for commercial glazes, and the controversy around the sale of fake ceramic pigments. Do you have questions or need advice on glazes? ➤ Drop us a line at ForFluxSakePodcast@gmail.com and you could be featured on an upcoming show. Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon (https://www.patreon.com/c/ForFluxSakePodcast/) OR (Link in bio!) and sign up today. 🎙️Today’s episode is brought to you by: Monkey Stuff (https://monkeystuff.com/) The Rosenfield Collection (https://www.rosenfieldcollection.com/) Cornell Studio Supply (https://cornellstudiosupply.com/) Making Glazes, Make Sense (https://ceramicmaterialsworkshop.com/courses/making-glazes-make-sense.html) For Flux Sake is hosted by Matt and Rose Katz of the Ceramics Materials Workshop along with Kathy King ( @kathykingart ) of the Harvard Ceramics Program. Together they answer your burning questions about clay and glaze. In each episode they answer listener submitted questions in a comical, but also insightful way. This show will have you laughing and learning about glaze chemistry the chemistry behind ceramics in no time. New episodes typically drop every 2 weeks. ⭐️WE GOT A NEW ARTIST! Everyone give much needed love to Jenny ( @jennyblicharzceramics ) who made this graphic (and is also a stellar ceramicist) and will now be working with us to make some more killer graphics! #Materialscorner #hardpanning #castingslip #commercialglaze #tempchecks #ceramicpodcast #podcast

About This Video

Commercial casting slip is convenient right up until it isn’t—like when you come back to the bucket and it’s hard-panned into a dense layer that doesn’t want to remix. In this episode I dig into what hard‑panning actually is from a materials perspective: a deflocculated system that’s lost its balance, so the particles pack down and lock together instead of staying in a stable suspension. We talk through the usual suspects (water chemistry, age, evaporation, over/under‑deflocculation, and contamination), and—more importantly—how to diagnose which one you’re dealing with instead of just dumping in “a little more Darvan” and hoping for the best. I also get into practical fixes you can do in a real studio: how to reconstitute the bucket without turning it into foam, why mixing method matters, and when the correct move is to decant, sieve, or even start fresh. From there we jump to a couple of listener questions: how I like to do temperature checks so you’re not flying blind, what I’m aiming for with bisque temperature when the end goal is commercial glaze performance, and why the “fake pigment” conversation matters—because colorants are chemistry, and chemistry doesn’t care about marketing. The takeaway is simple: measure, test, and make small changes on purpose.

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