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What are the do’s and dont’s of working in a community studio? | For Flux Sake Episode 114

382 views· 10 likes· 33:36· Oct 16, 2025

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Joining a new community studio can be exciting, but also a little scary. Today the gang talk about how to be a good community member. They also answer listener questions about clay color changes, using tar paper in the studio, and where to start when you get your first potter’s wheel. Do you have questions or need advice on glazes? ➤ Drop us a line at ForFluxSakePodcast@gmail.com and you could be featured on an upcoming show. Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon (https://www.patreon.com/c/ForFluxSakePodcast/) and sign up today. 🎙️Today’s episode is brought to you by: Monkey Stuff (https://monkeystuff.com/) The Rosenfield Collection (https://www.rosenfieldcollection.com/) Cornell Studio Supply (https://cornellstudiosupply.com/) Making Glazes, Make Sense (https://ceramicmaterialsworkshop.com/courses/making-glazes-make-sense.html) For Flux Sake is hosted by Matt and Rose Katz of the Ceramics Materials Workshop along with Kathy King of the Harvard Ceramics Program. Together they answer your burning questions about clay and glaze. In each episode they answer listener submitted questions in a comical, but also insightful way. This show will have you laughing and learning about glaze chemistry the chemistry behind ceramics in no time. New episodes typically drop every 2 weeks. #vitrification #underfired #claycolor #tarpaper #communitystudio #potterswheel

About This Video

In this episode of For Flux Sake, I dig into the do’s and don’ts of joining (or surviving) a community studio—because shared kilns and shared spaces only work when everyone understands the basic physics of “my choices affect your work.” I talk through the habits that make you a good studio citizen: cleaning up after yourself, labeling clearly, following firing and glaze rules, and not improvising materials or processes that can contaminate clay bodies, shelves, or the air everyone’s breathing. Community studios can be amazing, but they run on trust and consistency, not mystery buckets and surprise experiments. We also answer listener questions that come up constantly in real studios: why a clay body changes color (and how firing, atmosphere, and maturity can shift what you see), whether tar paper belongs anywhere near a ceramics workspace (spoiler: think about off-gassing and what you’re introducing into a heated environment), and where to start when you get your first wheel so you don’t build bad habits that take years to unlearn. The big takeaway is the same as always: if you want predictable results, you need repeatable process—and if you’re sharing a studio, your “process” includes protecting everyone else’s work and safety too.

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