In this video I do a proper blind Big Muff shootout: one real analog pedal (the Caline M Fuzz) versus two digital Muff models (Line 6 M13 and the Hotone Ampero Stomp II). No labels, no hints, just four short playing samples and you decide what’s what. I’m using my Gibson SG into an IK Multimedia TONEX One, so we’re really focusing on the fuzz character rather than getting distracted by a million other variables. The whole point here is simple: can digital fuzz actually hang with analog when you’re not looking at the gear? I run through the samples back-to-back, then talk through what I’m hearing—things like the way the sustain blooms, how the top end fizzes out, and whether the low end stays punchy or turns to mush. My main takeaway is that “digital vs analog” isn’t as obvious as people think once you remove the labels, and the best-sounding option might not be the one you expect. Drop a comment with which sample you reckon is the analog pedal, and which one you’d actually gig or record with.