In this video I’m out testing the IronGlass Soviet MKII lenses in a real shoot situation with the Film Jams crew. Instead of just chart-testing or pixel-peeping, I’m focused on what actually matters when you’re making a film: how these lenses render faces, how they handle highlights, what the contrast feels like, and whether the “character” is usable or just distracting. I’m treating this like a practical lens test—grab shots, move fast, and see what holds up when you’re not in a controlled studio. I also talk through the kind of workflow decisions I make when I’m running-and-gunning documentary-style: what I’m watching for in focus, how I judge the look on-location, and why lenses like these can be a fun option when you want something different than modern clinical glass. If you’re in Tampa, FL and you want to try them without committing, I’ve got IronGlass Soviet MKII rentals available on my site. And if you want to see the rest of the gear I use to build out shoots like this, I’ve got my full kit linked as well.