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I Made the Same Horror Film with EVERY AI Model | Kling 3 vs Veo3.1 vs Sora 2

3.5K views· 179 likes· 9:33· Mar 12, 2026

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Made with Artlist - https://tinyurl.com/muftty8y Get 40% OFF all annual plans for a limited time! The best AI video generator tools have come a long way recently with Kling 3.0 and the soon-to-be-released Seedance 2.0. But are ai video models actually good enough to create a real movie scene or is film safe in hollywood? Today I compare Kling 3, Veo 3.1, Sora 2 Pro, Grok Imagine, and Wan 2.6 to see what model is the best. Chapters: 0:00 Making an AI Film 0:52 The Tests 1:43 Shot 1 3:20 Shot 2 4:37 Shots 3 & 4 6:53 Shot 5 7:51 Shot 6 8:39 The Film My favorite templates, graphics, and plugins: 2 free months of Motion Array - https://tinyurl.com/3hczdfb4 My favorite Youtube extension for creators: VidIQ - https://vidiq.com/JosephMartin My Gear: Main Camera https://amzn.to/4e1nzmJ Main Lens: https://amzn.to/3PGoD4B Zoom Lens: https://amzn.to/4jOTojM Awesome Cheap Lens: https://amzn.to/3xgpNNN Tripod Head: https://amzn.to/3x7FDKq Tripod Body: https://amzn.to/49m5UlW Lightweight Tripod https://amzn.to/2WdlVYY Key Light: https://amzn.to/3SNIlN1 Softbox: https://amzn.to/4atBdMq Background RGB Lights: https://amzn.to/4n0x4Xr Action / POV Camera: https://amzn.to/4jInJk1 All links above are affiliate links. Purchasing anything through them helps support my channel! Thank you! Business Inquiries: heyjosephmartin@gmail.com

About This Video

In this video I tried to answer a pretty simple question the hard way: are AI video models actually good enough to build a real film scene, or are we still in “cool demo” territory? So I made the same short horror film sequence with a bunch of the biggest models—Kling 3.0, Veo 3.1, Sora 2 Pro, Grok Imagine, and Wan 2.6—and I ran them through the exact same shot list so the comparison was actually fair. Same intent, same vibe, same kinds of camera moves—just different models. I break it down shot-by-shot, because that’s where the truth shows up: character consistency, motion coherence, lighting continuity, how well each model follows direction, and how often it randomly “helpfully” changes your scene. By the end, you’ll see the full cut of the film and get my honest take on which model is best right now for cinematic results versus which ones are still more pain than they’re worth. No hype—just what worked, what broke, and what I’d actually use if I were trying to ship a real scene.

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