Welcome back to The Editing Podcast! Business Inquiries: TheEditingPodcast@gmail.com 00:00 Intro 1:08 Everything Everywhere All At Once Review 3:43 How EEAAO Uses Story with Spectacle 5:53 If This Is Great, What Else Is? 7:43 What Movie/Story Has Impacted You? 9:37 Movies Need To Give You a Memory 10:33 Good Movies Raise A Question 11:13 Why Editors Don't Watch Film 12:18 Can You Make "Movies" on YouTube? 16:12 YouTube & Cinema, Can They Be on The Same Pedestal? 17:51 What Are Platform Viewing Habits? 20:27 Can Creators Trust Audiences More? 22:11 Should YouTube Be A Graduation Platform? 23:13 Conclusion Hosts - Jordan Orme and Hayden Hillier-Smith Editing - Tyson Pellegrini -------------------------------------------------------------------------------------------------------------------------------------------------------------- Follow Us Spotify: https://open.spotify.com/show/11lEi1M4HMmaiPkJcXhQbx?si=4ad1fcdf1cf446fa Twitter: https://twitter.com/TheEditingPod Instagram: https://www.instagram.com/theeditingpodcast/ Website: www.theeditingpodcast.com Hosts - Jordan Orme and Hayden Hillier-Smith Editing - Tyson Pellegrini In filmmaking, does a high-budget mean high quality? "Doctor Strange in the Multiverse of Madness" is a great film. But THIS multiverse film "Everything Everywhere All At Once" did it better. And cheaper. Jordan Orme and Hayden-Hillier Smith discuss feature films like "Everything Everywhere All At Once", "Swiss Army Man", and "Annihilation", and why in order to be good storytellers, we have to rediscover great stories. They also dive into their frustration that audiences don’t watch YouTube the same way they watch Netflix and if it is even possible for YouTube to be taken as seriously as cinema.

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