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5 Reasons Today's Music Sucks (to Old Rockers Like Us)

2.4K views· 90 likes· 10:37· Aug 19, 2021

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Music just isn't what it used to be. Every generation says it, and all believe they're right. This time, I think we ARE. What do you think? -- zZounds.com Affiliate Links Interest Free Payment Options w/o CC! https://tinyurl.com/y6heywhh -- Armchair Rockstar with Corey Noles is a channel focused on the gigging (and gigless) musician. We aim to both educate against the pitfalls experienced by countless players and also be a one-stop site for everything the music lover needs. Essentially, we're here to help you transition from the chair to the stage. The channel covers musician tips & tricks, guitar gear reviews, basic repair lessons and interviews with industry professionals. From time to time we'll also be weighing in on industry news as it happens. So, if you're a musician young or old -- new or experienced, this channel is designed with you in mind. We hope to create an atmosphere where more seasoned musicians can pass along their knowledge to the next generation. Share our videos with your friends to help us grow! Please take a moment to subscribe and click the bell so we can notify you whenever we have new content! -- Facebook: @ArmchairRockstar Twitter: @armchairrockst1 Instagram: @armchairrockst1 -- For Questions or Comments, email armchaircorey@gmail.com

About This Video

In this video I dig into a spicy topic: why “today’s music sucks” to old rockers like us—and yeah, I know every generation says that. But I lay out five reasons I think this time the complaint hits different, especially if you grew up on rock, punk, and metal where bands had to earn it in clubs, on records, and on the road. I’m not here to be the “get off my lawn” guy just for sport—I’m trying to explain what changed and why it feels like the soul got sanded off. I talk about how the industry incentives shifted, how the way music is discovered and consumed affects the kind of songs that get made, and why a lot of modern releases can feel more disposable than timeless. I also hit the gap between musicianship, risk-taking, and identity—those things that used to separate a great band from a forgettable one. The big takeaway is this: I’m not saying there’s no good music now, but the system rewards different priorities, and that’s why so many of us hear “new stuff” and go, “Man… this just isn’t it.”

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